Jung and film : post-Jungian takes on the moving image
Material type: TextHove, East Sussex/New York, NY Brunner-Routledge c2001Description: xiv, 254p.; ill.; glossary; indexContent type:- text
- unmediated
- volume
- 1583911332
- PN1995 .H394 2001
Item type | Home library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Books | Zeller Library | AR.Hau (Browse shelf(Opens below)) | 1 | Available | B00629 |
Part 1 - A Jungian perspective. 1 Jung/sign/symbol/film - Don Fredericksen. 2 The alchemy of Pulp Fiction - Lydia Lennihan. 3 Image in motion - Pat Berry. Part 2 - Four films and a director. 4 The Grail quest and Field of Dreams - John Hollwitz. 5 Dark City - Jane Ryan. 6 "If you could see what I've seen with your eyes...": post-human psychology and Blade Runner - Don Williams. 7 2001: a Space Odyssey: A classical reading - John Izod. 8 "Let's go back to finding out who we are": Men, Unheimlich and returning home in the films of Steven Spielberg - Christopher Hauke. Part 3 - Studies in genres and gender. 9 Film noir: archetypes or stereotypes? - Luke Hockley. 10 Love-life: using films in the interpretation of gender within analysis - Mary Dougherty. 11 The anima in film - John Beebe. 12 "Gay sensibility," the hermaphrodite, and Pedro Almodovar's films - James Wyly
'Jungian film studies is a fast-growing discipline, but this is the first book to bring together the best new writing from both sides of the Atlantic. The essays represent both clinical and academic perspectives, forming an essential bridge between analytical psychology as therapy and Jungian studies as a way of understanding the world.'
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