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The poetics of space / Gaston Bachelard ; translated from the French by Maria Jolas ; with a new foreword by John R. Stilgoe.

By: Contributor(s): Material type: TextTextBoston : Beacon Press, 1994Description: xxxix, 241 pages ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0807064734
Uniform titles:
  • Poétique de l'espace. English
Subject(s): LOC classification:
  • B2430.B253 P6313 1994
Online resources:
Contents:
Foreword to the 1994 edition. -- Foreword to the 1964 edition. -- 1 The house, from cellar to garret. The significance of the hut. -- 2 House and universe. -- 3 Drawers, chests and wardrobes. -- 4 Nests. -- 5 Shells. -- 6 Corners. -- 7 Miniature. -- 8 Intimate immensity. -- 9 The dialectics of outside and inside. -- 10 The phenomenology of roundness
Abstract: 'In poetry and in folktale, in modern psychology and modern ornithology, Bachelard finds the bits and pieces of evidence he weaves into his argument that the house is a nest for dreaming, a shelter for imagining. Beyond his startling, unsettling illuminations of criminal cellars and raisin-smelling cabinets, his insistence that people need houses in order to dream, in order to imagine, remains one of the most unnerving, most convincing arguments in Western philosophy.' -- Foreword to the 1994 ed.
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Item type Home library Call number Copy number Status Date due Barcode
Books Books Zeller Library PH.Bac (Browse shelf(Opens below)) 1 Available B00254

Foreword to the 1994 edition. -- Foreword to the 1964 edition. -- 1 The house, from cellar to garret. The significance of the hut. -- 2 House and universe. -- 3 Drawers, chests and wardrobes. -- 4 Nests. -- 5 Shells. -- 6 Corners. -- 7 Miniature. -- 8 Intimate immensity. -- 9 The dialectics of outside and inside. -- 10 The phenomenology of roundness

'In poetry and in folktale, in modern psychology and modern ornithology, Bachelard finds the bits and pieces of evidence he weaves into his argument that the house is a nest for dreaming, a shelter for imagining. Beyond his startling, unsettling illuminations of criminal cellars and raisin-smelling cabinets, his insistence that people need houses in order to dream, in order to imagine, remains one of the most unnerving, most convincing arguments in Western philosophy.' -- Foreword to the 1994 ed.

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